It’s so important to support Houston at this time with funds to trusted charities like Habitat for Humanity. If you’d like to understand how funds do more than donations of items, please check out this article.
I am very honored that Seeking Valentina, a short film which I produced with Armin Nasseri, has garnered two nominations at this year’s Hollywood Dreams International Film Festival, including BEST SHORT & BEST VISUAL EFFECTS. Our film screens later this week, in Las Vegas. Want to catch it in Vegas? See here.
“A blend of new classic world film, hospitality, industry connections and of course a hearty brand of distributors, buyers, audience and special guests will round out what is sure to become a major stop in the vein of top U.S. and international film events.”
For a full list of nominees for this year’s Hollywood Dreams International Film Festival, click here. Congratulations to our cast and crew, whose talents and efforts continue to receive world-wide acclaim and many thanks to Del Weston and Theresa Weston, the founders of Hollywood Dreams Film Festival.
If you’re an industry person, you may have heard this term or used it–development hell. Development hell refers to the often chaotic, messy, frustrating business of getting a script ready to go into pre-production. No script comes to a producer perfect and camera ready.
We like the script, but there are few things that we need to change. Here is what we want changed: add this character, expand another character, take away the annoying mom character–and can you get this down to 90 pages?
This wasn’t what we had in mind. You know, I had this really great idea for some comic relief at the beginning, since it’s a heavy drama…
This is a mess.
Why is the subplot so much more interesting than the main plot? Should we go a different direction?
We should go a different direction.
Is this too political?
It’s coming together, but we need to find a compelling role for (insert expensive actor’s name here).
The success of Wonder Woman and the live action Beauty and the Beast has generated a great deal of discussion about women in cinema and woman-centric narrative. A Variety article pointed out, though, that despite record box office, women, “made up only 7 percent of all directors working on the 250 highest-grossing domestic releases in 2016. That represented a decline of two percentage points from the year before.” Without getting too heady or too political, I need to point out that women’s narratological problems start off long before a screenplay gets optioned by the studios and directors are hired. It starts in high school, with the ways we are taught narrative structure.
There are so many distractions. Sometimes, in our hectic lives, we have competing priorities, which can make focusing even harder. This past week on What Women Want Talk Radio, Judy Goss and I had guests Christine Hassler and Nancy Ganzekaufer, who coached us on how to make our lives more reflective of our deeply held priorities. If you’ve been overwhelmed by your to-do list or suffering from a bad case of analysis paralysis, you’ll find the candor of Christine and Nancy refreshing.
This week, I got to have a fun part in The Litch, directed by James Balsalmo of Acid Bath Productions. It was a high-spirited, improvisational shoot. Coming out later this year, the film also stars Tom Sizemore, the legendary Lloyd Kaufman and fellow scream queen Genoveva Rossi. James is creative, collaborative and fun and I told our manager Matt Chassin that he was like the “Christopher Guest of horror”. This is sure to be a fun horror comedy.
Armin Nasseri of Seeking Valentina fame was also on-hand helping with our scene. It was great to have his positive energy there. I can’t wait to see it debut on the big screen later this year!